Estabrook, continued
room in the Children’s Discovery Museum (Brooke and Nana), called Mommy at the hospital 5 times, raked the leaves beneath the old apple tree, ate noodles, Santa cookies, strawberries, Cheerios, pineapple, mashed potatoes, and donuts, played monkey-in-the-middle, made copies of our hands out of Play Dough, read Elmo & Friends, The Very Hungry Caterpillar, and the Further Adventures of Peter Rabbit, took apart and put back together again the two Russian dolls, thought about putting the trains back up around the Christmas tree but ran out of energy, danced to Christmas with the Chipmunks and Beethoven’s Third Symphony, drew some colorful abstract art with magic markers, took a bunch of ornaments off the tree and put most of them back on again, and laughed and laughed and laughed.
Heck of a productive day all in all, wouldn’t you say?
Heck of a productive day all in all, wouldn’t you say?
LEMONS
A yellow sun splashed lavish light
on the garden, a bright bloom of a morning, full of possibility. I was away from home, teaching, when one of the poems peeled away the thin rind of memory, and there I was, back in the maternity ward when my firstborn died. I remember how white and cold the room was, even though my friends brought flowers: irises, roses. I was hollow, a fruit that had been pulped for juice, leaving nothing but a shell, no flesh, no seeds. Thirty years later, my daughter’s globed stomach, and then, there was Daniel, shining and puckered in the moony glow of the delivery room, rinsed with light from another world, and a new day dawning. Emanuel
|
You have been sleeping all afternoon
thinking up this story, which begins with a trill in the throat, breaks into gutturals rocking through a grin. Then your lips purse to a beak, cooing, each vowel a word, the words strung into sentences you know to punctuate with a shift in pitch and a pause. I know this is a narrative, the pace breaking from calm afternoon to rambling dialogue to danger and a narrow escape. I begin to recognize vocabulary, syntax, know when you repeat for emphasis, or use parallel structure with synonymous words. The sound of sense, I think, Frost's theory about the music of a poem, the rise and fall, whisper and thrust of conversation muffled by a wall. My task is to be the good listener, slipping Um hmmm or Really? or Oh! into a gap, or keeping the silence you insert to build the suspense. When your brow furrows and the story stalls, I know to repeat what you've said so you know I've heard. And you're watching to see that I follow, want to learn what sounds make my eyes wide. Neither you nor I will remember this story. Only that you told it. Only that I listened. |
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Acknowledgments
BABYSKIN: NOTES FOR A GRANDCHILD, appeared in Hapax Legomena by Barbara Adams (Lewiston Poetry Series, The Edwin Mellen Press, 1990).
Werner Hengst’s essay, LITTLE MISS ENTROPY, appears online at www.WernerHengst.com.
JACOB, THREE AND A HALF MONTHS OLD, TELLS ME A STORY by Mary Makofske was published in Calyx: A Journal of Art and Literature by Women (Summer, 2008).
LEMONS by Barbara Crooker appeared in the Valparaiso Poetry Review.
Emanuel by Naomi Ruth Lowinsky appears in her collection, Adagio and Lamentation (Fisher King Press 2010)
.
SHRAPNEL by Janet M. Lewis is included in Getting Kind of Late and Selected Poems by Jan Lewis.
BABYSKIN: NOTES FOR A GRANDCHILD, appeared in Hapax Legomena by Barbara Adams (Lewiston Poetry Series, The Edwin Mellen Press, 1990).
Werner Hengst’s essay, LITTLE MISS ENTROPY, appears online at www.WernerHengst.com.
JACOB, THREE AND A HALF MONTHS OLD, TELLS ME A STORY by Mary Makofske was published in Calyx: A Journal of Art and Literature by Women (Summer, 2008).
LEMONS by Barbara Crooker appeared in the Valparaiso Poetry Review.
Emanuel by Naomi Ruth Lowinsky appears in her collection, Adagio and Lamentation (Fisher King Press 2010)
.
SHRAPNEL by Janet M. Lewis is included in Getting Kind of Late and Selected Poems by Jan Lewis.